Messages, meanings, movements—how does art history help us understand our world? Join curators, historians, artists, musicians and filmmakers as they explore art and its histories in a search for our shared humanity. Download the programs, then visit us on the National Mall or at www.nga.gov, where you can explore many of the works of art mentioned.
Title
|
Date published
|
|
|
Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium, VIII: Writing, Reading, and Thinking in Alexandria
|
2016-06-28
|
|
|
Elsa Mora: Timeline
|
2016-06-07
|
|
|
Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium V: Material Matters: Why Bronze?
|
2016-06-07
|
|
|
German Spaces, Haacke’s Places: Hans Haacke’s Germania at the 1993 Venice Biennale
|
2016-05-31
|
|
|
The National Gallery of Art at 75: Andrew W. Mellon, David Finley, Paul Mellon
|
2016-05-24
|
|
|
"Molotov Man" in Context
|
2016-05-17
|
|
|
Diamonstein-Spielvogel Lecture Series: Leo Villareal
|
2016-05-17
|
|
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 6: Worship in Uncertain Times: The Secret Burial of Bronzes in 1310
|
2016-05-10
|
|
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 5: Chola Obsession with Sri Lanka and the Silk Route of the Sea in the Eleventh and Twelfth Centuries
|
2016-05-03
|
|
|
FAPE 2016: Frank Gehry and Paul Goldberger in Conversation
|
2016-04-26
|
|
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 4: An Eleventh-Century Master Sculptor: Ten Thousand Pearls Adorn a Bronze
|
2016-04-26
|
|
|
Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium III: Identity, Continuity, and Change in the Hellenistic Cityscape
|
2016-04-19
|
|
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 3: Portrait of a Queen: Patronage of Dancing Shiva, c. 941‒1002
|
2016-04-19
|
|
|
From Olympus to the Streets of Constantinople: The Byzantine Retirement of the Ancient Gods
|
2016-04-12
|
|
|
Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium, II: Muscle into Bronze: Athletics, Athletes, and Athletic Victor Statues in the Hellenistic Aegean
|
2016-04-12
|
|
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 2: Shiva as "Victor of Three Forts": Battling for Empire, 855‒955
|
2016-04-12
|
|
|
Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium, I: "Living Statues": Ancient and Modern Viewers of Hellenistic Sculpture
|
2016-04-05
|
|
|
Women in Hellenistic and Roman Athens: Visualizing Female Power and Wealth
|
2016-04-05
|
|
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 1: Gods on Parade: Sacred Forms of Copper
|
2016-04-05
|
|
|
Zeus, Isis, and Dionysos in Dion at the Foot of Mount Olympus
|
2016-03-29
|
|
|